Happy New Year 2020
Despite the current rash of sad news which seems to wrap itself around us like barbed wire – turmoil in the Middle East, Brexit uncertainty, the seeming melt-down of large areas of the planet – I am more determined than ever to stay patient, resolute, and as cheerful as possible in 2020.
What good does it do me to increase my unhappiness by worrying?
When I worry, it’s something else I have to get my head around before I can do anything that will help me to feel more purposeful and less worried. And there is a lot I, and we, can do! Ten minutes of daily exercise, two minutes a day tidying our local outdoors, ten seconds smiling at someone we meet on a walk, the intention of shopping more purposefully with local producers and farmers, donating our time to good causes or the local political scene, turning up at our local community hall or library to check out the latest books and events… Even remembering to take a couple of plastic bags – one for litter, one for our shopping – as we head out of the door each day.
What a difference it makes, when we do something that makes a difference! Gardening, listening, putting out bird-feeders. Doing something beneficial each day has the added advantage of reminding us of our good fortune: helping others helps us to feel good about our place in the world, and the good we contribute to it, in small steps, one thing at a time.

My resolution this year is to remain patient, to apply myself in whatever way I can to the tasks that need doing, and to have faith that all my small steps make a difference.
I wish you and yours a peaceful, prosperous year.
Thanks for listening.
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January 20, 2020
To collate our memories
Fran Macilvey 'Trapped: My Life with Cerebral Palsy', Fran's School of Hard Knocks, Memoir, The Rights & Wrongs of Writing 0 Comments
To collate our memories
In writing memoir, since the point is to collate our memories and experiences, we do not need to do exhaustive research.
Of course, if someone does offer useful feedback, use it, so long as that information is about practical, everyday details that will make our narrative more interesting or credible. Thus, household details and timelines wil be useful; on the other hand, no matter how often Great Aunt Augusta reassures you that, “Yes, of course you can mention that I was born in an orphanage dear, no-one cares about that sort of thing nowadays…!” resist the urge to wander into the thickets of another person’s past. The past is murky, at best, Aunt Agatha may later have qualms, and without being privy to her social and emotional context, we are most unlikely to do Aunt Agatha justice.
If we are clear that we are writing about our own experiences as we remember them, this also, and quite naturally, preserves our best defence: that we are allowed to express ourselves and, in so doing, to record our impressions of our own experiences. And while the best version of these will be what we can clearly remember at that time, even our erroneous interpretations of the past, taken as a snapshot in the present day, are allowable and can be excused.
I have said that during “Stage One” writing we may borrow and abuse as much information as we like. In the privacy of our rooms we can indeed use the “delve and expose” methodology for our own catharsis; and laying bare what lies in the deepest recesses of our hearts may be necessary for our own sanity. In this situation, no-one will ever know, and no-one can challenge, what we first write. So long as we later have the courage to excise and refine ruthlessly.
Since it very challenging to be objective about events and circumstances that have caused us the most emotional pain, I prefer to stick to the “no borrowing” rule as much as possible from the outset. If we find that to be too difficult, I suggest having a separate document marked “Private and confidential” in which we record painful details before we even attempt a version that might be for publication.
Thanks for listening.
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