The value of my time
What is the value of my time? If I was working in retail, I might perhaps earn £8.50 an hour, though it’s quite a while since I did, so I may have my rates wrong. If I were a typist in an office, a bit more, if I were a junior partner in a legal firm, a bit more still. As an author? Pause for embarrassed silence.
But why? We spend years investing in our books, to say nothing of the cost of producing a product which has all its dots and commas in the right place. That time is valuable, and – as I think I many have mentioned – is not coming back to us.
We can’t really value our worth by the accumulation of our possessions, so what is left to us is the space and hope we call time. Our most precious asset. So, when someone asks me to help with a project, it is worth pausing to check, “How long is this going to take me? Will I enjoy it? Do I get any pleasure out of doing this, any pleasure for its own sake?”
If the answer is no – and I have no perceived choice – just get that ask done quickly and then whizz off out of there asap; and if the answer is no, not one whit, of course not, then I’d be better to find some polite way of saying so and getting back to what I prefer doing.
But conversely, just because we love writing, does that mean we should not expect to get paid for it? Or receive the cover price for a book we have authored – from which we will have deduct the outlays – or to get recognition for the time and effort of carting books around, laying them out so carefully so they don’t get spoiled, signing them and offering them for sale?
In an ideal world, we would all be supported for being creative, but until that time comes, it’s worth pausing to ask ourselves how much we value our time, and whether, if push comes to shove, we are comfortable advocating for ourselves, so that we value what we do. After all, if we can get back some of the value of what we do, that will enable us to keep doing what we value.
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May 31, 2018
The creative imperatives of writing
Fran Macilvey Fran's School of Hard Knocks, Path To Publication, The Rights & Wrongs of Writing 2 Comments
The creative imperatives of writing
What matters, when we are writing? What aspects can an author not do without?
A handful of good ideas is a great start, but there is also the requirement to edit, endlessly read and work through a text, ironing out inconsistencies, tangles and plot holes. But apart from the obvious – and often very trying – aspects of working with words, what other less obvious parts of the craft are necessary?
These are my latest discoveries, always subject to change.
~ the ability to envision ourselves writing regularly for the rest of our lives. Typically, I shun the regularity of a three-hour-a-day habit; or even worse, a five-thousand-word-a-day requirement as ‘shackling my creative flow’. However, I have recently come to appreciate that a regular writing habit offers our characters room to evolve and expand – revealing more of their character traits, their ideas, even their conversational quirks – over time. Since with a regular habit, we take our writing seriously for at least part of every work day – say, Monday to Friday – our work has room and time to expand fully. Given a regular commitment of time and engagement, our writing becomes deeper and more rewarding.
~ the confidence to take writing seriously, so that, even when we are very busy, our writing purpose is honoured for at least some time every day. It might be writing blog posts, or editing a single paragraph of text – or even deciding, after hours of tinkering, that the paragraph in question will have to go – but that kind of self-belief grows wings, and can weather any storm of external busyness.
~ The confidence to finish what we started. No piece of writing, no matter how good, will see the light of day if it remains unfinished. To push past the curse of the soggy middle, to ignore the word-count and push to the finish, no matter how ragged it may be, is, I would say, the single most important part of writing anything – apart from starting, that is. (And actually, finishing is a great deal harder than starting, but don’t tell…)
Speaking as an author who seems to get busier every day, the greatest creative spur I have yet found is the refusal to be beaten; with which the above strategies help me, every day.
Thanks for reading this.
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