Fran Macilvey

About Fran Macilvey

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June 27, 2019

Having an impairment

'Trapped: My Life with Cerebral Palsy', cerebral palsy, Happiness Matters, The Rights & Wrongs of Writing 8 Comments

Having an impairment

I hear from readers quite often, writing to me and talking about having read Trapped. Typically a message will begin, “Hi, I’m Andrea, I’m 27 and I have cp. I read your book and…”

Which makes me wonder. Some readers want to write, and ask for advice about that. And I would say, if the first thing you identify about yourself is that you have CP – or any kind of impairment – then yes, you do need to write, if only to get that narrative out of your system.

For decades, my intro line was, “Hi, I’m Fran, I’m X years old and I have CP.” But really, identifying what might be the main challenge in your life as essentially You, is a bit limiting. I have CP, yes, but it no longer defines me, or limits me. The sense of having limitations is odd, relying as much on other people’s ideas of what is possible, as my own. And, I choose not to see myself like that anymore, because to do so is unnecessary and unhelpful.

I’m Fran, I am fifty-four and I have blue eyes; dark blue, almost teal, with a ring of brown around the iris. I like singing, so much so that even at my age, I do so unselfconsciously only dimly aware that other people consider this eccentric. I sing along to music in the supermarkets, because there seems no reason not to: it’s the kind of thing that other people would do, if only they had the nerve.

I’m Fran, I’m fifty-four, and I’m a carer. I care for my family, and for my mother, and I care about the environment. At the moment, four large men – or is it five? – are trimming back the trees at the bottom of the hill at the back of our garden, and I have wept, because I love those trees, which, for me, are a precious glimpse of wildness in the city. I love those trees for being a refuge, for whistling when the wind blows, for being solid and optimistic, and for growing with branches extended wide. And for being taller and bigger than me. For being unfathomable and private to many creatures I will never see. For being faithful, for believing that growth is good and life is sacred.

As for having an impairment… What is that? Is it, as the social model of disability would have me believe, something that I really should be able to ignore? I’d like to, but actually, trying to ignore it is like trying to ignore the elephant in the room…

So instead, I try to make friends with the elephant and listen to what it might be trying to tell me. Often, I might chance a ride on its shoulders, from where I have the most amazing view of life. It’s a metaphor I prefer to play with, rather than push against. And, if we are playing with this particular metaphor, it might be an expensive thing, that hints at a grander life, needing a bigger space to play in. I love those trees because they were elephant sized, and expanded my sense of what I was. Looking up at them, I forgot about having an impairment.

Thank you for listening, and have a wonderful summer vacation.

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June 24, 2019

Doing what we enjoy

Fran's School of Hard Knocks, Happiness Matters 4 Comments

Doing what we enjoy

I’m thinking of writing a series of articles about Life and how to live it well: observations and conclusions often drawn from the times when I’ve not lived so well, perhaps because I’ve found myself caught and bound into doing things I didn’t enjoy.

And now I would say that in life, which can be wearying at the best of times, if we want to live well and happily – I might even go so far as to say that, since we are given life, it is our sacred duty to live joyfully – we really should only be doing what we enjoy.

We’ve heard it said often enough that an insincere gesture is not worth a bean; or rather, that the smallest sincerity is worth more than the biggest obligation.

And so, if we unwrap that to the whole of our lives, it makes sense for us to do what we choose, and avoid those things we don’t. Unless, that is, we can muster enough heart and desire to do all things with a sense of lightness. Otherwise, what is the point? Sooner or later, our disgruntlement will leak all over our generous, polite, obliging veneer as we falteringly try to explain why we went to such an effort. And if you are anything like me, the disappointment from not making it work, will be acute.

So starting from now – not, like in most cases, first thing tomorrow, but right this minute – I think I’ll do what I enjoy, and really enjoy it. That must surely be why people call life a gift, or a treasure: because we can do what we like with it.

By doing what we enjoy, we also make the point to others that they are free and not beholden to us. Our freedom – and our evident joy in our freedom – sends a message that others are equally liberated from the bounds of expectation, rules, obligation, to do as they please.

Now that is a liberating thought.

Thanks for listening.

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June 19, 2019

“Bitter Leaves” by Tabatha Stirling

Books I Have Reviewed 0 Comments

“Bitter Leaves” by Tabatha Stirling

“Bitter Leaves” is a fascinating account of the maid culture in Singapore that pulls no punches, beautifully written and heartfelt: a worthy companion on my very overloaded bookshelves.

I am usually hesitant to engage with darker narratives, but from its beginning, this novel about the lives of four women held me, and I was very impatient to know what would happen to them, though the details of their lives were so engagingly laid out for examination that I was also reluctant to hurry my way through. This is a book to read slowly.

I find it hard to convey why I find Ms Stirling’s novel so special: colours and shades are lovingly crafted and poignantly expressed. It’s also very clear that Ms Stirling is not simply writing a book: she is recounting experiences she has lived through and witnessed, and is offering a plea for humanity in a flawlessly presented text. The details she invites us to share come from the deepest part of her offering as an author.

All of which is really hard to put into words, though I’ve tried, because this book is such a worthwhile, compassionate read.

At times I wondered how the author managed to keep each character separate from the others without going slightly crazy. Reading their stories, I feel as if I have been awarded privileged access into their complex lives: Details and personal quirks come alive most convincingly, and, even when the characters are less than likeable, I can understand and relate to them.

Occasionally, the voices bleed into each other, but it is remarkable how rarely that happens. I’ve waited for many years to read this book, which I first read in draft on “Authonomy” and it has certainly been worth the wait. One to cherish and re-read often.

Thanks for listening.

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June 17, 2019

Reading real books

Path To Publication, The Rights & Wrongs of Writing 3 Comments

I like electronic readers. They are handy and lightweight and they fit easily into a pocket. I can carry one anywhere and load literally hundreds of books onto it. E-readers are slimline and sensible.

But – there’s always a “but” with that kind of optimistic opening statement, isn’t there? – despite their bulk, I still prefer reading real books. Perhaps some part of me is put off by the way in which electronic text sits flat behind a screen, perhaps it’s the way that the obviously monochrome quality of the delivery leaves me feeling disengaged and somewhat unconvinced, perhaps it’s that real books all feel different – different weights, different sizes, fonts, covers, page thicknesses… Reading a book, I can almost feel it speaking to me, in a way that I find missing with electronic media. Is it that electronic book files are almost too alike, or self-consciously clever? I’m not sure.

In any case, my house is now overflowing with books – and I speak as one who keeps her sentimental attachment to them well under control. Living in a small flat, with a husband who is loath to part with his volumes and a daughter whom I am trying to encourage back into a reading habit, I cannot afford to do otherwise.

I’ve also been helping my mother to sort and deliver many of her books to the local second-hand stores, where they are gratefully received. Mum adores books and sees each of her favourites – and there are many – almost as a personal friend, an intimate acquaintance who has been with her on the journey as she has researched and written a dozen books. While she has done a great deal of her research online, still, she would be appalled if I suggested to her that all the material benefits of real books could be replicated by reading electronically. Indeed, she would scoff, demonstrate my folly, and then perhaps suffer a panic attack at the very notion. So we are, and will be, reading real books for the foreseeable future.

Thanks for listening.  

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June 14, 2019

Times they are changing

Fran Macilvey, Fran's School of Hard Knocks, Happiness Matters 4 Comments

Times they are changing

My daughter is now sixteen years old, a fact which gives me considerable pause. I have spent much time over the last two decades doing things for the family I am blessed to have around me. But have I used that as my excuse to not do things for myself? Probably.

There must be many people in my position, who surround themselves with details and preoccupations that put them at several removes from the concerns and convictions nearest their hearts. So how do we get back to the things we really, really want to do, instead of staying half-heartedly with those things we think we ought to do first?

I am guessing that most of us will wait until our kids have grown up, and we have a lot of time and space, before we sit back and reflect, remembering what we enjoyed doing before parenthood came along. We’ve all heard about the ‘empty nest’ syndrome, which apparently leaves parents bereft without their usual caring role.

With that in mind – I’ve done a lot of intense grieving these last few years and it is hard work – I have been letting my daughter leave me gradually, mourning and celebrating her passages into youth and adulthood in the small rituals with which growing up is sprinkled: the first time she walked to school by herself; the first time she went to town alone on the bus; the first time she was away for the weekend with a school party…

With suitable safeguards and many sage warnings, these small moments when I realised, “She can manage without me, now,” have paved the way for the recognition that I must honour her freedom – and the rest of my life – by now being meaningfully busy with my own projects. That I can do.

Thanks for listening.  

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June 12, 2019

Katherine by Anya Seton

Books I Have Reviewed, Women's fiction and chic lit 4 Comments

Katherine by Anya Seton

In April and May hereabouts the weather is usually fine, albeit unpredictable, and we tend to think, “It’s going to be such a wonderful summer…” Then in June it rains, and we think, “What happened?” and wonder how we can fill our summer days.

I can tackle my TBR pile, review books and sort out my shelves; in fact, I must: my mother has several hundred books in a collection which has been whittled down from several thousand, and the only way I know to handle all the books that deserve reading, is to read them.

I am currently immersed in “Katherine” by Anya Seton which is the only book, lately, that has made me cry. I have to read it slowly, which is unusual for me, though the style and form make it difficult to speed-read. Dating from the 1950s, I thought it would be rather staid, but it’s surprisingly frank and engaging and it hits home in ways I scarcely expected it to, when I’m reading it late at night.

I am also loving the adventurous, based-on-true-life love story told well away from the harsh limelight of the Tudors, who look surprisingly spoilt when considering their prolific and adventurous antecedents, the Plantagenets. Though very occasionally, the tale leaks into gushing sentiment, the details with which Ms Seton fleshes out a scanty factual record, are engaging and really help to hold my interest. In my mind’s eye, I can see the wharfs where the Duke and his paramour stand together, I can feel the jolt of the horses they ride, the journeys Katherine undertakes and her splendid isolation in one of the Duke’s many castles.

I like a historical novel. Though “Katherine” is a big read and has taken me many days, yet I think it must rank as one of my favourite historical novels ever. Given the remoteness of the period and the reality that much of what is known about is overshadowed, written about in retrospect and with a rather caustic, politicised hindsight – high-born men simply did not marry their commoner mistresses! – I find myself rooting for John of Gaunt – of course! – and delighted utterly that finally, he and Katherine marry and they both live happily thereafter. Just like a fairy-tale.

I cannot, for the life of me, work out why this novel is not yet a film, nor why Katherine and John do not feature more widely in common myth, like Romeo and Juliet or even Eleanor of Aquitaine and Henry the second of England. But that could simply be because I fell in love with the characters.

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June 10, 2019

Getting life into gear

cerebral palsy, Happiness Matters, The Rights & Wrongs of Writing 4 Comments

Getting life into gear

My “to do” list reads like this: housework, swimming, shopping, recycling, visiting my mum, shopping, tidying, answering the door, and getting life into gear. You know, get a grip, get organised, do things.

But… I’m doing them already, and there must come a limit to the number of times, or the speed or the efficiency with which I tackle the jobs in my life. Some things are more fun than others. Visiting Mum, while sometimes worrying, is also enjoyable, interesting, and a good way to remind myself of life priorities, in other words, how lucky I am.

But still, the notion resurfaces occasionally that I could do with being more disciplined about my own work, that, “I need to work harder”. Periodically, I glance at the stats comparing average earnings with mine, and think, “Right! It’s time to get organised…” and I wilt, thinking that surely, hard work alone does not answer that particular ambition.

So perhaps there is something else I could be doing, some different way in which I can frame life challenges that would make achieving things easier. Perhaps I’ve known all along that if I can make enjoyable what I am doing, that is worthwhile in itself. When I am happy, life is already lighter and more interesting, and my life automatically becomes what I want it to be.

More soberly, I begin to perceive that there is a marked difference between pain – which is, I believe, an inevitable part of life, the see saw of change – and what we generally call suffering, which is what happens when we internalise pain, in some ways erecting it into our next great project. Pain of all sorts is both natural and inevitable; our thoughtless conversion of it into what we call suffering might become a bad habit. I know myself, that I can tolerate quite a lot of pain. And so long as I do not rehearse it, hold on to it, I can accept it, feel it and allow it to be until it goes away. I do not also need to say, as I have been in the habit of doing, “Ah me, I am in such pain, life is hard etc etc etc.” Which is a bit like picking myself up from a fall, only to bash my head against a brick wall…

Funny what I think about while waiting at traffic lights.

Thanks for listening.  

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June 7, 2019

Use of idiom in writing

The Rights & Wrongs of Writing 6 Comments

Idiom: A group of words whose meaning cannot be predicted from the meanings of the constituent words. As for example, “It was raining cats and dogs”.

Creative writing is as much about playing games as anything in life is. We play games with words and meanings. If we are writing sci-fi or fantasy, we may even invent languages for our characters, whole new worlds springing up from our writing. I am delighted with inventive writing, and if I venture thus far, I will try to ensure that my worlds are internally consistent, and that I have given enough information in the back-cloth of the story to make clear the meaning of any particular idioms that I might then deploy in dialogue between the characters.

The use of idiom – throw-away phrases usually found in spoken language that are hard to translate but which carry with them whole worlds of meaning – in novels can be interesting. Because it is so hard to explain, the colour and purpose of idiom is usually demonstrated obliquely, through snatches of dialogue between characters. Words spoken between characters can show their common history and understanding, and will also allow readers to deduce the intention of phrases which, taken literally, appear meaningless.

If I write, “The lady said, was I pulling her leg, and that she would sock it to me if I didn’t mind my manners”, an editor might ask, “Pulling whose leg? Putting the sock on the leg?” “Hang on a sec,” might raise the question, “What is a sec, and why should I hang onto it?” If you write, “Betty’s going to give Bert stick when she catches up with ‘im” you are likely to find that, for an American translation, someone will have prefaced “stick” with an indefinite article.

Our local and accustomed use of idiom, which we feel so entirely comfortable with, is so enmeshed with our use of everyday language, it can be hard to notice when other people find local expressions peculiar and unfathomable. They can be hard to explain; they are never self-explanatory, and when I find myself trying to elucidate, embarrassingly, several more idiomatic phrases always seem to rush ever so helpfully to the rescue, so that conversation becomes a series of short snatches and embarrassing confusion.

But writers want to be understood, I assume; so although I use idiom all the time when I’m speaking with my family and am probably not even aware of doing so, I now try to avoid it in my writing. Written language is no less colourful for that, just different from what we might say to each other socially.  

Thanks for listening.

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June 5, 2019

Writing Honestly

'Trapped: My Life with Cerebral Palsy', Path To Publication, The Rights & Wrongs of Writing 2 Comments

Writing Honestly

Whether I am drawn to writing self-help, science fiction or fiction, for me, there is nothing more fundamental than writing honestly. Not brutally, but endeavouring always to be clear about my motives and what I am trying to say.

It is through writing honestly that the conviction forms in me that can lead to convincing writing, authentic dialogue, heartfelt emotions. For each genre the disciplines will naturally differ, but without core honesty – which perhaps I could call freedom of expression – I find my writing withers and loses its purpose.

We write for a number of reasons:-

– To learn about something or to gain empathy. This drove me to write my memoir.
– To earn money and make a living: an honest and worthy motive, which helps us to be clear what parts of our material might appeal to others and thus bring commercial success.
– As an outlet for personal or artistic expression. For joy, for hope, writing has its purest justification, one which is often at risk of being downplayed, particularly by writers who are dismissive of what they bring to the writing table.

But whatever our motivation, it seems to me that our writing can only take root and flower if it is an honest reflection of our lives and experiences. Naturally we hope to emulate writers we admire – how else can we refine our own style? – but though imitation may be the sincerest form of flattery, flattery, almost by definition, flirts with the truth. I do adore flattery… – I’m sure I’m not alone – but when the chips are down, I find that gently offered truth is more valuable.

Thanks for listening.

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June 3, 2019

Emotional support for writers

'Trapped: My Life with Cerebral Palsy', Fran's School of Hard Knocks, Memoir, Path To Publication, The Rights & Wrongs of Writing 0 Comments

Since all writers borrow from their lives to pen their novels, articles, memoirs and stories, emotional support for writers is essential. Yet the habit which writing breeds of doing things alone and by oneself, can be hard to leave behind.

We write, presumably, because we feel compelled to; and presumably also because some part of us enjoys the process or the sense of achievement from the final product and its outcomes.

Yet perhaps, since reading – so often a precursor to taking up the pen – and writing are silent, we writers may well become accustomed to learning, listening and doing by ourselves, quietly. We may not all begin life as rugged individualists, but I suspect that, in order to write, we may also have to cultivate the art of doing many things tolerably well alone. Words on the page are quiet and perhaps we assume we have to be too?

All of which helps to explain how writers can become isolated. And to excuse the fact that, with all that training in aloneness, it can be very difficult to ask for emotional support. Asking for help isn’t easy, though there is little doubt that having practical and emotional support helps us to stay grounded, relaxed and on top of our workload.

Paradoxically, I’m not sure that I would have managed to write or publish what I have, without the demands made on me by others: I must eat, and yet, when I lived alone I rarely made the effort to eat well. I have to sleep, and there is something in the routines of next day, that encourages me more often to go to bed at a reasonable hour. I know that twenty-four-hour days do not suit me, yet when I live alone, I tend towards exciteable neglect.

I do know, that although it has ultimately saved my life, writing my memoir was a long and very difficult thing to do. Ironically, I wrote it and dreamed about it, and lived through the pain of it alone, because I needed to come out of isolation. I am grateful also to remember, now, that when we need help, we can ask for it, and benefit from precious friendships we make along the way.

Thanks for listening.

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