Reading Marian Keyes books again, I am struck by how the messages I collect from her writing, change and evolve to fit my feelings and thoughts of the moment.
Uplifting messages of personal courage are there, of course; and so are the quieter messages of human existence: even though our heroines might go flying off at short notice to America in pursuit of a dream (“The Woman who stole my life” / “Angels”) their heroism is also about accepting and learning how to live with and truly love the ordinary things in life.
Unlike some authors of fiction (whom I shall not mention) not only are Marian Keyes’ heroines ordinary gals and blokes – no Dukes, formula One racing champions, top models or artistic virtuosi – their stories are not about how they won the lottery, effortlessly qualified for the Olympics, secured a mega corps film deal or were “discovered” on the beach by a top modelling agency… Instead, after their adventures, Keyes’ heroines often arrive back home with a fresh recognition that the ordinary things in life – true love, a meaningful job – are not so ordinary after all, and can be the stuff of which dreams and contentment are made, if only we have the sense to see it.
The kind of trite, “rags to riches” success stories that feature in so much popular fiction – the idea that a bright idea and a sparky attitude are enough to propel even the humblest aspirant to undreamt of recognition and success – are what first gave me the idea to write fiction differently, because I think that readers might sometimes like a choice: to read fanciful fairy tales that transport them to other worlds, or to locate within the pages of a novel, heroes and heroines who have experiences they can relate to their own lives.
I’ve always said that I can only write from my own experience, and that is what I aim to do. It is heartening to be reminded, when perusing one of Ms Keye’s books again, that successful fiction does not always have to rely on a host of improbables, but can revolve around ordinary, decent and faithful people with whom I have something in common. It’s nice to feel, in the success of one of Ms Keye’s characters, the potential of my own success.
Thank you to Ms Keyes, and thanks for reading.
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November 5, 2020
Keeping going
Fran Macilvey Fran's School of Hard Knocks, The Rights & Wrongs of Writing, Women's fiction and chic lit 2 Comments
Keeping going
For a long time now, possibly years, I’ve been toying with giving up my writing. In any event, lately, I haven’t been writing much at all, and the dismay of my paralysis has been hard to get my head round.
So I’ve tried to ignore this particular patch of desert, to pretend that lockdown and its outcomes do not affect me. Though my situation remains surprisingly similar to what it has always been, the realities of lockdown, with their peculiar mix of worry and resignation, make working on a fictional series about hard-pressed women – and men – rather hard to justify.
Do I need to justify it? Lately, there have been so many good reasons why I should stop writing: I have lots of calls on my time, from my husband, my daughter, my sisters, friends, my mother, even my daughter’s guinea-pigs; but sitting here, crafting and editing my work, I am reminded again that I do sincerely delight in this particular combination of concentration and escapism.
Even when so much of writing seems to be carried out it a private world that feels like a vacuum, how could I excuse a final decision to stop, when writing makes me smile and feel good? I also know that it is one real, tangible thing I do, that my husband sincerely supports. He wants me to keep writing. And I’ve seen how the things that contribute to our happiness and sense of fulfilment make the routines and hardships of life easier to live with. Constructing fictional worlds is the nearest I’ll ever get to time travel; or, at this time, to actual travel, which is another reason why I will be keeping going.
I’m working now on a final edit of my three novels, which though they each stand alone, also represent a series of characters whose lives may work out in so many different ways. I’m almost driven to conclude that my novels are, as they stand, only outlines, scoping out what might happen, never cast in stone.
That I’m keeping going in itself gives me reason to feel celebratory.
Thanks for reading.
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