Taking a longer view
My mother’s health is failing. Finally, after several years of painful struggle and wishing that things could be different – I’ve not quite lost sight of the woman who was content in her domain and saw the purpose in carrying on – my mother’s light is fading.
In watching this long-drawn out process, taking a longer view, many emotions surface. And though I don’t know on any given day which will be uppermost, and which will lie dormant and sabotage me as I sleep, I know that this period of waiting will simply have to be endured, as all painful things are.
Certainly, there is regret, and a patina of peculiar relief, as we both accept the inevitable: I can’t make things better in the way she would like them to be: herself able and competent, living in France, her son alive, well, and, (in the dream she would have liked) living a happy life… I can’t put back the clock, and I’m not sure, even if I could, that it would be a wise course. Would all the things that have happened in the intervening five or so years have to happen again? I’m not sure we could cope with that.
There is comfort, as there always is, in knowing we have succeeded in coming this far together, in peace, and finally in a clearer understanding.
As a kid and a young adult, I often felt my parents to be remote, living by adult rules and logic to which I was not, nor expected to be, privy any time soon. Now, since I see Mum most days and have a hand in keeping her affairs in order, I have, I think, proved my claim to be as content, happy and competent in my own life as most of us are: my mother can relax now, knowing that, although I’ll never reach her heights of scholarship or astonishing grasp of detail, there is enough of her in me to ensure that I’ll be okay. Different, but okay.
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November 5, 2020
Keeping going
Fran Macilvey Fran's School of Hard Knocks, The Rights & Wrongs of Writing, Women's fiction and chic lit 2 Comments
Keeping going
For a long time now, possibly years, I’ve been toying with giving up my writing. In any event, lately, I haven’t been writing much at all, and the dismay of my paralysis has been hard to get my head round.
So I’ve tried to ignore this particular patch of desert, to pretend that lockdown and its outcomes do not affect me. Though my situation remains surprisingly similar to what it has always been, the realities of lockdown, with their peculiar mix of worry and resignation, make working on a fictional series about hard-pressed women – and men – rather hard to justify.
Do I need to justify it? Lately, there have been so many good reasons why I should stop writing: I have lots of calls on my time, from my husband, my daughter, my sisters, friends, my mother, even my daughter’s guinea-pigs; but sitting here, crafting and editing my work, I am reminded again that I do sincerely delight in this particular combination of concentration and escapism.
Even when so much of writing seems to be carried out it a private world that feels like a vacuum, how could I excuse a final decision to stop, when writing makes me smile and feel good? I also know that it is one real, tangible thing I do, that my husband sincerely supports. He wants me to keep writing. And I’ve seen how the things that contribute to our happiness and sense of fulfilment make the routines and hardships of life easier to live with. Constructing fictional worlds is the nearest I’ll ever get to time travel; or, at this time, to actual travel, which is another reason why I will be keeping going.
I’m working now on a final edit of my three novels, which though they each stand alone, also represent a series of characters whose lives may work out in so many different ways. I’m almost driven to conclude that my novels are, as they stand, only outlines, scoping out what might happen, never cast in stone.
That I’m keeping going in itself gives me reason to feel celebratory.
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